Hard News by Russell Brown

4

Crowds and Communities: an internet discussion

I've written before that since its very birth, the internet has advanced through "a pattern of motivated individuals and mobilised communities." The benevolent dictators who created the first technical protocols had their work underwritten by the crowds who organised themselves around the template. It was a raging, unlikely success.

In more recent years, we've seen the crowds move the earth. Last month's push back against the SOPA and PIPA laws was effective precisely because it was a crowd action. It also involved a form of obstructive protest that is by definition a crowd action -- the distributed denial of service attacks marshalled by Anonymous.

In a completely different vein, there's the crowdsourced creativity of the Star Wars Uncut project published this week: hundreds of individual each making their own 15 seconds of Episode IV: A New Hope, each clip spliced into a remarkably successful two-hour whole.

On a more mercurial level, there are the crowds that form and dissolve through every day on Twitter, around ideas, jokes and stories in the news.

Then there's one of the crowds you're part of: the one reading this post, and perhaps developing its themes in a subsequent discussion. As part of that crowd, you're pretty fly too, with your internal and external, individual and group, psychologies.

Well, I'm pleased to say that I'm going to be discussing these themes with two people who have a lot to bring. In association with Webstock and Internet NZ, Media7 is presenting a talk with Gabriella Coleman and Rob Malda.

Gabriella is a "digital anthropologist" at McGill University in Montreal. Her particular field of interest is defined in written work such as Is it a Crime? The Trangressive Politics of Hacking in Anonymous, and Hacker Politics and Publics. She has been up close with geek protest.

Rob Malda -- aka Cmdr. Taco -- is the founder of Slashdot, the "news for nerds" community whose ability to mobilise added a new word to the lexicon. To be "Slashdotted" after being linked from a discussion on the site was to be altogether too popular. Moreover, Slashdot also pioneered the handling of moderation in large-scale discussion communities by -- via a baroque but effective design -- handing it over to the crowd itself.

I'm to be talking about those things and more with Gabriella and Rob on Monday February 13, with -- let me say it again -- the help of Webstock and Internet NZ.

We will be starting the discussion at 5pm at TVNZ in Auckland. A shorter version will be produced as that week's Media7 show on TVNZ 7 and the full hour will be available online.

You're invited to join us, but we'll need you to come to the Victoria Street entrance of TVNZ (it's a gate leading to a courtyard) by 4.30pm at the latest. I'll also need you to click the little icon below and email to say you're coming. We have limited space in the studio, but if there's big demand, we'll operate and overflow room. If you won't be able to join us, please do join the discussion here.

175

Staying Alive

I ride a bike in Auckland. I have an obvious interest in the drivers with whom I share the roads taking care and being aware of my presence. My life depends on it. But I cannot find it in me to be angry at either Glenn Becker, who faced a charge this week of carelessly use of his car causing the death of 27 year-old Jane Bishop on Tamaki Drive, or the judge who dismissed the case yesterday.

When I read this report on Tuesday, I wondered whether there would be a conviction, and perhaps whether there should be. When Becker went to leave his car, he had traffic passing him, nose-to-tail, at walking pace on his right and cyclists passing slowly on the shared-used path to his left. And Jane Bishop on his right, coming down the very narrow corridor between him and the traffic, at 20km -- on or about, as this picture indicates, a bend. There was way too much going on there.

The judge yesterday was satisfied that Becker checked his mirror before leaving the car, and "did all he could do in the circumstances, short of getting out on the passenger side.'' Whether or not you agree with that assessment, I think Barb Cuthbert is right in saying in the Herald today that Becker had been set up as "the fall guy" for official decisions:

Mrs Cuthbert said her organisation had done an audit of Tamaki Drive for the old Auckland City Council in 2006 - four years before the accident - and concluded that carparking spaces at the Kelly Tarlton's bend created a "highly hazardous pinchpoint".

She said the council did not remove the spaces until two days after Ms Bishop, 27, was killed.  

Sometimes, the court heard, Jane Bishop would opt to take the path rather than the road home, but Tamaki Drive's shared-use cycleway can be an inappropriate and even dangerous place to ride at commuting speeds. It's a footpath with a white line, used by walkers, runners, bladers, dogwalkers and slow riders. The other option at rush hour is that narrow corridor between parked and moving cars.

We're not giving either motorists or cyclists much room for error here. The answer is obvious and increasingly urgent, especially in places where the contention for road space is as extreme as it can be along Tamaki Drive. Indeed, the chairman of the Auckland Council's transport committee, Mike Lee, says it this morning in the paper:

"What we need in Auckland is quite separate cycle lanes."

The evidence from other cities is that this is both possible and practical. So let's start doing it, now.

151

Review: Lana Del Rey, 'Born To Die'

When the clip for Lana Del Rey's 'Video Games' arrived quietly on the internet, it seemed too good to be true. Its gorgeous, pouting composer seemed to have come from nowhere; her grainy montage of filmic images seemed to summon memories we never knew we had.

And the song. Oh, the song. From the distant church bell that signalled its arrival to its swelling strings and that vulnerable, all-too-experienced voice that wouldn't have lasted a round on Idol, it seemed to announce a new underground queen.

The reality was otherwise.

For the indie chin-strokers, it's as if they saw that amazing girl they met last Saturday at the hipster bar promenading on the arm of some douchebag hunk. Grief gave way to anger as they realised she wasn't the girl they thought she was.

Well, no. Lana Del Rey's not her real name! It was suggested by her management! She has a deal with a major label! Her father is actually a millionaire! The sooner you say it out loud, the sooner you can get over it.

In reality, 'Video Games' was but the first presentation of a two-year project, through which her management sampled as many as two dozen tracks, recorded with a variety of producers, to a select list of reviewers and other industry sages -- and, clandestine-style, to YouTube and other music discovery sites.

One of the early tracks, 'Diet Mountain Dew', turns up in a reworked form on Born to Die. It's a slight tune, like Morcheeba, or Lily Allen without the editorial content, and it hardly stands out here. But that hardly matters: there's some pop gold on this record.

Yes, it's a pop record. Albeit one that front-loads with the glacial, wasted Lana: 'Video Games', 'Born to Die' and 'Blue Jeans' are the first three tracks. It's not hard to understand why Del Rey has struggled to deliver the drama of 'Video Games' in solo TV performances (although she's done several which were much better than the disastrous Saturday Night Live show). It's not like the vocal for the recording is an untouched performance: a fair part of its tension is generated in neat little edits between lines. Your heart skips a beat when she seems to miss a breath. It's a constructed musical drama and the comparisons with Nancy Sinatra run deeper than personal styling.

The loping hip-hop beats don't arrive until 'Off to the Races', where they give way to yet another dark lagoon of swelling strings. There's the brief fluff of 'Diet Mountain Dew', and then 'National Anthem', a wall of modern pop technique that throws the entire kitchen unit behind its chorus. I've no bloody idea what it's about, but it's loud.

Then there's 'Dark Paradise', one for the Twilight market, surely, and 'Radio', the song that seems to have sober reviewers up in arms. How can she sing "No one even knows how hard life was," when her daddy's rich? Well, as you guys keep pointing out, her first album died a death and she really had been a pop nobody for six years. She was probably pretty bummed about that. Entertainment Weekly described it as taking "a 'fame is hard' stance normally reserved for Real Housewives." No, I believe she's saying that her record is being played on the radio, she has a new boyfriend and fame is awesome.

My perspective on 'Radio' is that when I was on driving around on Saturday, I played it five times in a row. It's an outrageous collision of pop tropes lifted two-thirds of the way through by a heart-bursting arrangement of (yet more) strings and Bel Air keyboards. What, really, is not to like?

Am I being wooed by corporate music's most evilly accomplished song-doctors here? Yeah, probably. Rick Nowels, author of Belinda Carlisle's 'Heaven Is a Place on Earth', is listed as a co-writer on several songs. Well, if someone's going to tickle my balls, I'd rather they tickled my balls for good. And this album, patchy as it is (everyone seems to agree the 15 songs on the deluxe edition could have been trimmed by five, but no one agrees on which five), is good.

And more to the point, it's different. It transcends the grinding conventions of so much modern pop music (seriously, listen to ZM, shop at Dress Mart or watch videos on MTV -- it's quite alarming) and I like it. I like it so much that I have played certain songs so many times that members of my household have suggested I might actually want to move on. It's some time since I've felt that way about new music.

But this is as much of a marketing project as a musical one. I'm not reviewing this off the CD -- it's not out till Monday and I don't have a review CD -- but from the "leak" linked to on Twitter. 320k MP3. I can't help but regard the "leak" in the same vein as the alleged "leak" of the 'Born To Die' video by, um, someone in Russia. About half of this album will already be on the hard drives of keen users of the various hype sites. But: whatever. If Universal Music discovers the value of facilitating access to its product via the extraordinary reach of the network, so much the better.

My main qualm about this record is one I'm surprised not to hear more widely: like much modern pop music, it's compressed to buggery. That's audio compression -- making everything loud -- rather than file compression. Some of it sounds better on my crappy car stereo than it does through the big speakers at home. Perhaps the CD will be more expansive. I guess I'll find out when I buy it. And I will buy it. Because it's actually pretty amazing.

140

Getting to the bottom of Apple and human cost

The New York Times' front-page story, In China, Human Costs Are Built Into an iPad, is important not just because it has raised the issue of the labour practices behind Apple's products, but because it goes some way towards explaining what makes Apple any different from any other consumer electronics or computer company.

Because make no mistake: the Chinese factories where parts are made and assembled into products? Everyone uses them. CNet's Larry Dignan published this chart showing where the revenue comes from for Hon Hai, the parent company of the manufacturing giant Foxconn:

Dignan fumed:

Analysts estimate that Apple will be roughly 40 percent of Foxconn’s revenue in 2012. Hewlett-Packard is about 25 percent, according to Fubon Research. No one is writing about HP, though, even though its supply chain report reads just like Apple’s. Every electronic device you have on you right now goes through China. The data center that powers the cloud behind those devices were also made by folks stacked in tech dorms in China. The minerals in the battery were mined somewhere. Deep down do you really give a rat’s ass about the working conditions that created those relatively inexpensive devices? Of course not, you’re from a Western economy. And from what I can tell you’re still buying as much tech gear as you can.

Sure: if you're trying to address an industry-wide problem, focusing on only one, glamorous company for which the news media have a permanent hard-on won't solve the problem. But it might help. Perhaps you'll raise overall consciousness the way Greenpeace did when it hammered Apple annually on the sustainability of its products and processes and said far less about competitors who didn't measure up to their own fancy green policies.

Focusing on Apple was a much more effective way to the headines. And, as it turned out, to Steve Jobs himself, who directed a greening strategy that sharply reduced the use of bad chemicals in Apple products and just as sharply improved its e-waste performance. After his death, Jobs was lauded by Greenpeace's green electronics campaigner Tom Dowdall, who declared that "today is a day to reflect that among all of Steve Jobs achievements in the technology industry, one of the less well known ones is one of the most important."

It will be a grand day when the same can be said about labour practices. But I suspect that will be much harder. Commentators who don't know much about Apple often attribute the company's aggressive outsourcing and subsequent issues to Jobs. But Jobs, until reality foreclosed, wanted factories like palaces -- American palaces. In his tremendous Jobs biography, Walter Isaacson described the NeXT factory Jobs had built after he left Apple in the 1980s:

The walls were museum white, as they had been at the Macintosh factory, and there were $20,000 black leather chairs and a custom-made staircase. . . . He insisted that the machinery on the 165-foot assembly line be configured to move the circuit boards from right to left as they got built, so that the process would look better to visitors who watched from the viewing gallery.

It was Apple's current CEO, Tim Cook, who as chief operating officer reinvented Apple's supply chain -- and saved the company in the process. Apple went from having nearly the worst inventory performance (that is, the amount of the company's resources tied up in products made but not yet sold) in its industry, to emphatically the best. The Mac you bought on the internet was pretty much built after you'd ordered it.

Cook's insight similarly underpins another key element of Apple's brand: the ability to make each new, iconic product appear in massive quantities as if by magic. We are outraged consumers if the latest iteration of the iPhone line doesn't appear here very soon after its US launch, or if some of the phones are defective, but the system that produces these products is not trivial.

It also could not happen in America. Before his death, Jobs met with Barack Obama. Isaacson records that the president asked Jobs why Apple commissioned so little manufacturing in in the US, and Jobs' response:

Apple had 700,000 factory workers employed in China, he said, and that was because it needed 30,000 engineers on-site to support those workers. ‘You can’t find that many in America to hire,’ he said. These factory engineers did not have to be PhDs or geniuses; they simply needed to have basic engineering skills for manufacturing. Tech schools, community colleges, or trade schools could train them. ‘If you could educate those engineers,’ he said, ‘we could move more manufacturing plants here.’

But even if the US started training more engineers right now, such a massive mobilisation of skilled and semi-skilled labour would largely still only be possible in China.

Cook has reacted indignantly to the Times' stories, addressing a letter to the company's 63,000 employees that declared that "any suggestion that we don’t care is patently false and offensive to us.". He emphasised the increasing breadth and depth of Apple's internal reporting on conditions in its supply chain.

And he has a point -- I don't think any of Apple's competitors report as extensively as Apple does. It has acted on these reports and dumped multiple suppliers. But Apple isn't making the more difficult choices about the way these problems are engineered into its business model.

The Times story says this:

Many major technology companies have worked with factories where conditions are troubling. However, independent monitors and suppliers say some act differently. Executives at multiple suppliers, in interviews, said that Hewlett-Packard and others allowed them slightly more profits and other allowances if they were used to improve worker conditions.

“Our suppliers are very open with us,” said Zoe McMahon, an executive in Hewlett-Packard’s supply chain social and environmental responsibility program. “They let us know when they are struggling to meet our expectations, and that influences our decisions.”

Setting aside HP's glowing review of its own performance, Apple could do this. But its business model tends to militate against it. Pulling the rabbit from the hat demands secrecy up till the moment of reveal. Hampering competitors from copying Apple's innovations requires more secrecy -- Apple notoriously keeps a lid on who its suppliers are and exactly what parts are used in its devices.

And the final key to burning off the followers is price. If Apple can use its sheer scale to get ever-better supplier prices, no one else who tries to compete can do it cheaper. And no one else can hope to match Apple's profit margins. This, too, is part of the model. Apple makes only 11% of the mobile phones bought by Americans. But it makes 28% of the global revenue in phone manufacture. In Q2 last year, it captured two thirds of the industry's available profits.

But that influence on the industrial environment is what would also allow Apple to make a difference, the way it did on the sustainability of its products. We don't actually want Apple to lose its way and lose money like Nokia has. We want it to make decent labour practices at the many companies that supply it a part of its success.

That will require the news media to raise its own game. If there's one thing you've heard about Foxconn, it's the spate of 14 suicides at Foxconn's massive Shenzen plant in 2010;  often cited as proof in itself of the inhuman conditions in its factories. But as Auckland University's StatsChat blog noted, the plant employs 300,000 people. The suicides there in 2010 represented a rate of 4.7 per 100,000 workers. The authors, Stephen Cope and Maxine Pfannkuch, conclude:

While each Foxconn suicide is a tragedy, with such a large workforce 14 suicides in 2010 is neither unexpected nor unusual. If anything, Foxconn’s workers have a lower suicide rate than could be expected, on average, amongst their peers.

To be precise: the suicide rate at Shenzen was significantly less than the lowest of several reported rates for the Chinese population as a whole: 6.6 per 100,000. And it's a third of the all-ages suicide rate in New Zealand and a quarter of New Zealand's rate of suicide in the younger demographic likely to be working the assembly lines for Foxconn. We might want to think about that.

Getting manufacturing out of China isn't the answer. People come from China's provinces to work in these factories because it gives them some chance to aspire. They're as entitled to those aspirations as much as any American worker is. It also bears noting that Foxconn manufactures in India, Czechoslovakia and Brazil, where governments exercise more effective control over labour practices than we see from the leadership in China.

And this is where some onus goes on the Times. Almost every grim truth about tech supply chains is true of the industry behind a product made and enjoyed far more widely in America than iPhones: meat, especially chicken and pork.

It's six years since Human Rights Watch published its report Blood, Sweat, and Fear: Workers’ Rights in U.S. Meat and Poultry Plants, and it seems precious little has changed since then. Hundreds of thousands of largely immigrant workers face both repetitive strain and acute injury, and are commonly sacked when that happens. Some factories keep workers in line with armed private cops. There are none of the onsite hospitals or recreational facilities you might find at a Foxconn plant. And the US government underwrites the brutality. Under a 2002 Supreme Court ruling, undocumented workers who are illegally fired for union organising are not entitled to back pay for lost wages. 

It is not to diminish at all the case for Apple and other tech companies to raise their game to say that it will be a welcome day when the New York Times sees fit to give over its front page to an investigation of the human hells being created on American soil.

115

Finally, the Teapot Tape?

On YouTub, Soundcloud and BitTorrent. Appears to be what it says on the label. Feel free to analyse, transcribe, clean up, ignore, whatever.

Update 3: Now that I'm back in the house, I've restored the link to the recording on Soundcloud. See media lawyer Steven Price's reasoning on this here. Scoop is also providing the link.

Update 2: I've removed the links to YouTube and Soundcloud. Sorry to be a pain, but I'm going out for a few hours and I won't be in a position to act with dispatch in removing them should that prove to be urgently necessary.

You will have little trouble finding them via Twitter -- where a number of other journalists have shared them -- or by searching the various platforms where the recording is available.