Hard News by Russell Brown

7

Friday Music: French Kiwi Juice is righteously smooth

I don't know much about French Kiwi Juice, other than that his real name is Vincent Fenton and he lives in Paris and apparently grew up here. But I can tell you that I really like his new, self-titled album.

I really only played it by chance yesterday, when I was looking for something to to fit the mood of a blessedly warm and fine autumn evening in Auckland. And my goodness, did it ever fit. Its smooth hip hop grooves are like the sound of the summer we didn't quite have this year and it has a richness and detail that's sometimes missing from cafe beats.

Here's the video for 'Skyline':

This is pretty great too: FKJ improvising a song with live loops with June Marieezy at Red Bull Studios Amsterdam last year.

I'm not sure if there's a physical release locally, but the album is on your favoured streaming service and FKJ's Soundcloud is here.

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Polished performance promised at Leigh Sawmill reads the headline in Mahurangi Matters, and I'm jolly sure that's what Lawrence Arabia will deliver in their Sawmill gig next Friday. These young men are unwavering in their commitment to their craft, as can be seen in this photo from their last gig, at the Nostalgia Festival at Ferrymead. In search of yet more authenticity, they took the stage in vintage smocks. One might even say say they played smock 'n' roll!

Well, I have a double pass to next Friday's Sawmill show to give away. Just click the email link at the bottom of this post and send me a message with "Sawmill" as the subject. I'll draw the lucky winner tomorrow.

Everyone can buy tickets at Under the Radar.

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The Bats are touring their new album The Deep Set, with one gig in Dunedin next Friday then three more in May before they head off for a string of European dates. I gather their June 17 show in London is almost sold out.

And The Chills are on the road too.

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A new video from Auckland surf-rockers the Ech Ohs, ahead of a debut album due in June.

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Tunes!

It seems a long while since I hear a Soulwax remix – but they're back at the controls with this absolute monster for Jagwar Ma's new remix EP, Every Now and Zen.

But wait – there's more! Last week Soulwax dropped this track from their own new album, From Deewee, which is released next Friday:

From DeeWee was recorded start-to-finish in a single take.

Deewee is the name of their studio, where they also produced the new self-titled EP by Charlotte Adigéry – which is also pretty cool. Excerpts here:

And here's a thing: the brilliant Analog Africa label has put together this mix featuring tracks lined up for release in this, its 10th anniversary year. Its billed as "a synth-ridden journey from reggae in the Horn of African to Cosmic sounds of Cabo Verde, wavey soca-boogie monsters and other proto-electronic Afro jams" and it's fantastic. And it's a free download (click through and click the "more" button). 

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The Friday Music Post is sponsored by:

Songbroker

Representing New Zealand music

12

Media Media Media

Last night I joined an interesting crew of people – Kirsty Johnston, Kym Niblock, Troy Rawhiti-Forbes and Chris Keall – on a Social Media Club Auckland panel talking about fake news. You can watch the video here on Facebook.

The discussion, inevitably, ranged considerably further than that, alighting on the present existential threats to journalism and why having an existential crisis isn't wholly a bad thing.

Troy had had the most interesting week of any of us, being part of the founding team at Newsroom, which launched on Monday with a story that was both thoroughly traditional (a Melanie Reid stakeout!) and emblematic of new approaches (it was shared with Stuff as part of a "content deal").

Tim Murphy, Troy's boss and cofounder of Newsroom (with Mark Jennings) lurked at the back of the room most of the time, but he'll be under the bright lights when Media Take returns next week. Tim will join us along with former Metro magazine editor Simon Wilson, who recently became The Spinoff's Auckland editor. Are they old dogs learning new tricks?

Like The Spinoff, Newsroom hasn't engaged with the basically broken internet advertising paradigm, but has sought revenue via commercial sponsorships. (There was some lively discussion last night about the perils or such relationships.) And like Public Address, it is also seeking support directly from its audience, via the new PressPatron platform.

Speaking of which, we've just completed our first month as PressPatron's debut client. As of today, we've earned just under $1000, including a very generous one-off donation of $200. It's a modest but encouraging start and my view is that it's up to us to show we're worth supporting. I also like the fact that the money is tied to us doing journalism and I've tried to reflect that in what I'm doing for the site.

The next step will be launching individual PressPatron buttons for Public Address bloggers who want to set up accounts. I want to add some new voices too, and I'm targeting a redesign/refresh mid-year. To everyone who's chipped in – thanks so much. As the number of PressPatron clients grows (and there are more coming soon), thank you. I hope and trust you'll continue to find us worth supporting.

 

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As I noted, above, Media Take is back next week. There are some changes – most notably that while we'll be back on Māori Television on Tuesday nights, there'll be an expanded hour-long version on Sundays. There are some new features too, including Alternative Flax, a regular video-selfie vox-pop slot produced by Tipare Iti. Oh, and we, too, have a content deal with Stuff ...

If you'd like to come along to the first Media Take recording for the year, just be at TVNZ at 5.30pm on Monday. It'd be lovely to see you.

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Today's New Zealand Herald features a double-page celebration of the 30th birthday of its NZME stablemate, Newstalk ZB, which is described as "New Zealand's most popular radio station".

You might be surprised to hear that, but its sort-of true in the context of a radio ratings system that lets everyone be a winner.

I explained this back in July, when the first radio survey in many years to include Radio New Zealand was published. As part of the agreement to allow RNZ in, RNZ can only publish it numbers a week after the ratings for commercial stations are released – and it's not allowed to brag about them.

A subsequent survey was published in November and was reported in the Herald under the headline Radio survey results: Paul Henry can't touch Mike Hosking. The story declares:

The latest radio survey results show Newstalk ZB remains the most listened to radio station in the country

Unless, of course, you count RNZ National, which, said Stop Press, reporting on the same survey, increased its lead over Newstalk ZB, reaching 535,200 New Zealanders a week versus Newstalk's 459,000, (down from 503,600) and RadioLive's 240,400 (down from 251,000).

But no, by this measure (also known as "cume") RNZ National still isn't the most popular radio station in the country. That, as usual, is MediaWorks' pop station The Edge. Among commercial stations, both More FM and The Breeze registered more listeners each week than Newstalk ZB.

So how can Newstalk ZB claim to be the most popular radio station in the country? By looking at station share – in this case, the average share of the total audience  listening to radio at all times across the week. But of course that still only works because the station with a higher share, RNZ National, is excluded.

31

What the wastewater tells us about drugs

It would be wrong to say the results of New Zealand's first pilot study analysing wastewater to estimate public drug use tell us what we already knew. It's a characteristic of studying illicit drug use that there's always a lot you don't know. But the data do tell a story. A story that could be very useful if we pay attention.

From May to July 2014, a team led by Associate Professr Chris Wilkins of Massey University's SHORE centre took samples at two Auckland sewage treatment plants (the one in South Auckland, serving Auckland City, Papakura, Waitakere and Manukau, and the one at Rosedale on the North Shore). They used well-established methods to determine the prevalence of 17 drugs.

The WWA study is complementary to two surveys also overseen by Professor Wilkins at SHORE: the Illicit Drug Monitoring System (IDMS), which asks "frequent drug users" about price, availability, purity and other market trends, and the New Zealand Arrestee Drug Use Monitoring Programme Report (NZ-ADUM), which provided the first sign of a surge in methamphetamine availability in rebuild Christchurch – and elsewhere. From the 2012-2015 NZ-ADUM report:

The proportion of detainees who had used methamphetamine in the previous year increased from 28% in 2012 to 36% in 2015. The proportion of methamphetamine users who felt dependent on methamphetamine increased from 22% in 2011 to 34% in 2015. The mean price of a gram of methamphetamine decreased from $788 in 2014 to $669 in 2015. The proportion of detainees who attributed their substance use problems to methamphetamine increased in Whangarei (from 13% in 2012 to 32% in 2015), Wellington Central (up from 10% in 2012 to 39% in 2015) and Christchurch Central (up from 8% in 2012 to 26% in 2015). 

But both of those rely on self-reporting. Wastewater analysis doesn't.

"One of the strengths of wastewater analysis is that that it's objective data," says Professor Wilkins "So even though there's a lot of literature that says that self-reported use data in generally pretty good, you always get some people who feel it's unreliable. So this is an objective way to get measures of drug use.

"And the other thing about it is that is has really good coverage. With a survey, some percentage of the people you contact don't want to do the survey – whereas with wastewater analysis you automatically get the entire catchment. No one can opt out.

"Some people get a  bit concerned about that – it sounds Orwellian – but its strength is that it's non-intrusive. There's not need for anyone to ring you up or go to your house. And it guarantees anonymity – there's no way to identify anyone in the sample."

So what did the pilot find?

Methamphetamine, codeine, morphine and methadone were detected with high frequency (that is, present in 80-100% of samples). They were also detected consistently through the week, while MDMA, methylone and others – the party drugs – clustered around the weekends.

The association of methamphetamine with the opioids as a drug of dependence is both significant and wholly unsurprising.

The other big headline around meth is how much of it there was in Auckland: the samples were extrapolated to an estimated 600 grams of pure methamphetamine used per day across the city. The retail price of a gram of meth might vary from $500 to $1000. So you're looking at a business worth somewhere between $110 million and $220 million annually at retail, in Auckland alone. Let's use that most recent surveyed mean price for a gram of meth, $669, and settle on $146 million a year, in Auckland alone. (For comparison, overall sales of New Zealand wine in 2014 were around two billion.)

On the other hand, by some measures it's not a lot of meth: a similar study in Perth, Western Australia (metro population 1.8 million vs the 1.3 million served by the two Auckland treatment plants) found 31.6 kilograms of meth being used weekly, versus 4.2kg in Auckland.

"I work with a group from Brisbane University and they do a lot of that testing," says Professor Wilkins. "We did a tentative comparison and yeah, you're right. New Zealand looks like one of the lower places in comparison to Australia. There are some factors for that, so you have to be a bit cautious, but it certainly didn't look like we were off the scale."

There's also the issue of what's not there – either because it wasn't picked up or it wasn't looked for in the first place. Cannabis, for example, was not tested for.

"That's the glaring omission here. You can detect cannabis with wastewater analysis, but it gets stuck in solids, because it's fat-soluble. You need a two-stage test – and that's kind of expensive. We only had a small amount of money and we were trying to demonstrate this new method.

"So we could have detected cannabis, but it would have been more expensive."

What about ketamine? The study looked for but found no ketamine, yet it's highly likely some ketamine was used in Auckland during the sampling period.

"There are limitations to detection. If you don't reach a certain threshold there's not enough data to produce a number of users. The other thing is that we only detected the drugs we looked for. You need to have a marker and for some drugs it's fairly straightforward. Methamphetamine, for example, there's a really clear marker metabolite for it and it's not mixed up with some other thing. Whereas with MDMA, there is a marker, but it's also a marker for a Parkinson's Disease pharmaceutical.

"With the new NPSes and synthetic cannabinoids, often there's no science there that tells you what metabolite you're supposed to be looking for and tells you about that metabolite. So there has to be some background science and that determined what we looked for."

And LSD, which seems to have made a comeback in Auckland? (In a harm reduction sense, this is a good thing if it has displaced the far more dangerous NBOMe drugs.)

"I think that's got the metabolite problem. There's also the issue of how it moves down the sewer – so you've got to know how it's metabolised and how well it travels from the household to the treatment station, how much it degrades."

It's important to remember that these samples are a snapshot of the time. There was, for example, no detection at all of the MDMA substitute mephedrone. That would surely not have been the case had the analysis been conducted three years earlier, before Operation Ark shut down a very large operation producing mephedrone and other methcathinones to fill the gap in the party drug market created by a squeeze on MDMA supply. (The return of MDMA to the market should also be considered good news in a harm reduction sense.) And the use of the synthetic cannabinoids that are amenable to analysis would have been higher when they were legal.

Overall, there are few surprises in the data, which conform to established assumptions about New Zealand drug use. Cocaine, for example, is not common compared to other countries, and is used mostly at the weekend. (Two weekday samples contained raw cocaine rather than its marker metabolite. They were taken at the South Auckland plant and may have been the result of people flushing their stashes down the toilet at Auckland International Airport.)

So with the pilot completed, where to next?

"One of the applications we've put in a proposal for is taking this methodology to smaller towns and cities. You often hear in the media that the meth problem is particularly bad in a small place, and we actually think that's probably true," says Professor Wilkins.

"But the problem with the likes of the national heath surveys is that the number of people they actually survey in a small place is tiny and often they won't survey anyone. So smaller towns have the double whammy of not being surveyed and having really bad access to services.

"So what we've proposed to a number of small places – I won't name them, but in Northland – is look, we can go to your local treatment plant that might only service 20,000 people or less and we can tell you what your level of drug use is. And you can use that as leverage to say you need better treatment access.

"Our perspective is also that it's not all about illicit drugs, it's a really important health measure. This technique has recently been used to measure alcohol and tobacco use in the population. The strength of it is that you can sample daily. So you could bring in an alcohol tax and measure in a particular place after that change."

That all depends on funding, of course. And funding in this area is one thing we're not doing very well. Profesor Wilkins' pilot got funded, albeit on a relative shoestring, but others, including one for an early-warning system that would have helped emergency medics, didn't (it later picked up $35,000 for thinking about a plan). And meanwhile, the police are doing their own wastewater analysis, with ESR, paid for with $220,000 from the Proceeds of Crime Recovery Act.

It doesn't seem to make sense for the wastewater analysis projects to be separate. And if you look at the Proceeds of Crime tranche that bankrolled the police's wastewater analysis project, you'll see that more than triple the amount, $721,000, goes to "more police anti-cannabis surveillance flights". Are we really to believe that throwing even more money at the annual cannabis recovery boondoggle is more important than public health research?

We know there's a meth problem in Auckland, and very probably a worse problem in other regions. And yet there are long waiting lists for meth addiction treatment in Auckland, and no services at all in many small towns – the kind of places that could get to make their case if the SHORE research is extended in the way Professor Wilkins suggests.

I think New Zealand Drug Foundation director Ross Bell got it right on Morning Report today when he said of the meth problem underlined by this new research:

"I do not know why we tolerate waiting lists for treatment."

155

Fear of Cycling

If you ride a bicycle in traffic, you've probably had the experience of returning to the road after a couple of weeks away and thinking "what the hell is this?" The reality of sharing the road with flying two-ton chunks of metal can bite pretty hard until you get back into the groove.

A friend of mine who works in the media precinct around Victoria Street West experienced a different form of road shock recently when the Lightpath closed for a few days to have a fresh, and hopefully more durable, pink surface applied.

She'd grown used to the charmed experience of riding between Western Springs and work almost entirely separated from traffic; via the SH16 shared path, the Lightpath and the Nelson Street cycleway. But with the Lightpath briefly closed, she found herself going over the Hopetoun Street bridge, where there isn't even a lane, and then fighting for a position to turn right from Ponsonby Road.

She really didn't like it: it made her anxious and somewhat reluctant about what she'd been happily doing most days – riding to work. In truth, the SH16 path's connection to the CBD is a pain in the arse (bring on the Ian McKinnon Drive Cycleway!) but for most people it's better than tangling with rush-hour traffic.

I do sometimes dwell on what we're asking people to do when we evangelise cycle-commuting. I understand how it looks like a bloody hard ask.

And yet, in the Herald, Jamie Morton reports on a new study by University of Auckland researchers (it's here at the Journal of Transport and Health if you have institutional access, which I don't) which finds that riding regularly carries a far lower risk of injury than is commonly supposed. It assessed the risk of injury of cycling three times a week to be 140 times less than skiing four or five times a year and 530 times less than playing rugby once every three weeks. It's about as dangerous as carrying out home DIY twice a month.

The measure of injury is worth noting here: the study counted ACC claims for injury from each activity. It would be fair to say that that prospect of being hit by a car on your bike (or even just falling off) is scarier than that of turning an ankle on the rugby field or wrenching a knee on the piste. The stakes are pretty high, and that's a strong disincentive in itself, even if the chance of injury (about nine times in every 100,000 short urban bike trips) is quite low.

It's also a fact that not getting injured is a fairly demanding, even stressful business. As study co-author Professor Alastair Woodward notes to Morton:

"If I ride into town along Remuera Rd, it's a real headache having to watch out for people opening their doors or not seeing you," he said.

"Because I've done it so often, I know the chances of getting actually knocked off my bike are pretty small but it's a pain in the neck that you have to watch out."

And you always have to watch out. Ironically, I think the level of attention required to cycle in traffic often functions as stress relief for me – I don't have time to dwell on whatever thing I might have been dwelling on at my desk because I'm busy not getting killed (my attention to not getting killed has undoubtedly been heightened by being involved in two not-my-fault car accidents in the past six months – I basically trust no bugger). But I can hardly ask a new cyclist to jump on a bike and feel the same way.

Professor Woodward notes that what we're seeing is the consequence of the marginalisation of cycling as transport. We're scrapping for space because in most cases no space is provided for us:

"The bicycle has been pushed to the margins, where it is seen as unusual, different, not mainstream, and unfamiliar."

In the past, a hostile environment on New Zealand roads had led to a "vicious spiral". There had been fewer bikes, leading to greater fearfulness and increased resistance to road changes in favour of bikes.

"We need to turn this round. The most powerful way to bring bikes back from the margin is to provide safe spaces for cyclists of all abilities to get to where they want to ride."

Separated cycle ways are part of the fix, he said, but not enough.

There needed to be changes on the road as well, such as slower vehicle speeds, better intersections, and wider shoulders to include the bicycle.

"More people riding, and public spaces that celebrate two-wheeled choices, will do two things: make cycling even safer, and reduce the fear of the bike."

Most of these are public infrastructure solutions, and rightly so. But slower vehicle speeds aren't necessarily mandated. They can be the choice of drivers. I think I've become a better driver though being a cyclist: I cringe when some arsehole roars past me on a Point Chev side-street, because it tightens the margin for error on both our parts.

Anyway, as I've noted here before, taking up an e-bike – thus becoming more of a vehicle – has rekindled my affection for dedicated paths. I'd like my lane, please.

For all the blatherings of windbags on the radio, this change is going on in Auckland. The city is transforming and it's happening more quickly for those of us who already live adjacent to established parts of the cycling network. But the rate of progress isn't a given, and Bike Auckland has a useful explainer as to what the implications of local budget priorities are for cycling. (Submissions close at the end of the month.)

Cycling is much safer than people think. But until things change, fear of cycling will keep many reasonable people off the roads.

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PS: 32% of trips in central London are now by bike. They built it and people came.

11

Friday Music: It all leads to a disco fiesta

Lorde has busted out another preview from Melodrama and it's a touching, impressive piano ballad called 'Liability'. Seems like there might be a lot of piano on this album.

She also revealed Melodrama's release date – June 16 – and she'll be performing 'Liability' and 'Green Light' on Saturday Night Live this week. Cool.

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The 95bFM show today featuring The Phoenix Foundation has been moved indoors to Shadows owing to the weather.  Lineup: Dictaphone Blues 2pm, Te Huhu 3pm, The Phoenix Foundation 4pm.

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The 2017 Taite Prize finalists have been named and it's quite a collection of albums, from Aaradhna, Hopetoun Brown, Lawrence Arabia, Leisure, Lontalius, Pacific Heights, Shayne P Carter and Street Chant.

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Lewis Tennant's Verbal Highs podcast this week features a chat with Pitch Black's Mike Hodgson which kicks off with Mike's explanation of what "tuning the PA" means. The duo's willingness an ability to get stuck in and EQ the sound system for their gigs is one reason they sound like they do.

You can read my account of Pitch Black's Neck of the Woods show in a night-out-in-Auckland narrative in tomorrow herald Weekend magazine. It was fun.

Other good interview audio from the past week: a warm, funny, wise interview with Tom Scott by Melody Thomas of RNZ's Music 101. The first time I met Tom was when Sam Wicks interviewed us both together and I shared some heavy dad wisdom (pinched from Don McGlashan) about how fatherhood is good for creative men because it obliges you to focus on your shit. Seems like Tom's that guy now. The audio also includes a demo for Tom and his crew's next project, Avantdale Bowling Club.

Tom acknowledges that it's the first time he's been interviewed on RNZ since he walked out on that Kim Hill interview. (Imo, Kim was trolling and a great comeback burn was there for the taking.)

Melody also talked to Nadia Reid about processing the sensation reviews for her new album, Preservation. (Which you should definitely consider buying.)

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Jay Clarkson is officially writing for Audioculture and that's a very good thing. She's done a Songwriter's Choice and her 10 songs include works by Nadia Reid, Max Merritt and Chris Knox.

Also fresh this week on Audioculture, Peter Wells has gone way back to write about the music of the Civic Theatre.

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NZ On Screen's social media this week burped up the great Radio With Pictures programme on John Cale's first visit to New Zeaand in 1983. It includes some of Tall Dwarfs' support set at the Hillsborough Tavern, featuring a puppyish Chris Knox and a stylophone and it's really worth another look.

The Cale interview is conducted by Brent Hansen and it reminds me of my own interview with Cale a few days before in Auckland. He was an ornery cuss and he went off on tangents and gave cryptic answers, but it was a lot of fun. We did the interview on-air at bFM, with Andrew Bishop, and at one point Cale and I galloped down the stairs to the basement toilets while Andrew played a long song. Let my epitaph include that I once took a piss alongside John Cale.

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Resident Advisor has pubished a fascinating deep history of The Warehouse, the Chicago club that opened in 1976 and – even though it had closed by the time the first Chicago house tracks were cut, but bequeathed its name to the genre.

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Tunes!

It's a disco fiesta this week!

Paddy Buckley put me on to French DJ Florent F. He likes this cheesy soul tune from this playlist of "Gentle Edits" compiled over the past five years:

But I reckon this recent deep, dark Manu Dibango rework is massive:

That's from another Florent F playlist spanning a variety of tempos and styles:

The best thing is that nearly all of these edits and reworks are straight-up free downloads.

See also: this re-edit of Kruder & Dorfmeister's remix of 'The Message' (irritating Hypeddit download) from this playlist:

Sweden's Disco Tech has a nice rework of 'Lost in Music' (available for purchase here on Bandcamp):

And this out-and-out banger of a remix of 'California Soul' (irritating Hypeddit download):

When I win Lotto I'm going to have a kitchen with a subwoofer and a mirror ball that lowers from a hatch in the ceiling.

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The Friday Music Post is sponsored by:

Songbroker

Representing New Zealand music