Imagine if no one had got their phone out. Imagine if the pub-crowd had merely had a giggle and a good story to tell their families when they got home.
There is, believe it or not, precedence for this...
Back in the late '80s, a mate of mine was playing in a covers band at The Provincial pub in Dunedin, one Friday evening. During their set, the crowd slowly parted...to reveal a couple "in congress" in the middle of the dance floor.
Also in the late '80s or early '90s, the Jean-Paul Sartre Experience were playing a most unlikely gig - the Toga Party at Massey University's Orientation...when the band realised that couple in the front row were "in congress".
All I can say is "Eeuw".
All very well and good, but I suspect it'll be divorce lawyers, not privacy lawyers, that'll be acting in this case it'd appear.
the usual agonising scheduling conflicts
Always go to see the one you haven't seen before or are least likely to have a chance of seeing again. Russell gives the example of a Race Banyon / Courtney Barnett clash.
Race Banyon is an NZer, so far more likely to play Auckland and other NZ cities again, whereas Courtney Barnett is an Aussie and given her increasing popularity, much less likely to play NZ much over the next few years.
Do it while you can.
I note mention of Fishrider Records Is the owner, Ian Henderson, related to George Henderson of the Puddle?
Brothers, Ian's the youngest. I think.
Being a bit too young to have caught them at the time, I’d often heard that Straitjacket Fits live beat the hell out of their recorded stuff. That always struck me as a pretty big call, given how good their catalogue sounds. But, wow, That Video!
Absolutely phenomenal live band on a good night. I saw them umpteen times from just before their landmark first ep came out to the above-mentioned BDO finale. A couple of times they played a shocker, but generally they really could rip your head off.
As for their recordings, the albums certainly have their moments, but they also lack the sizzle they had live - and I've seen / heard plenty of Shayne Carter interviews in which he says much the same.
It always puzzled me why they simply didn't do what several of their contemporaries to very good effect and simply go into Writhe Recordings in Wellington with Brent McLaughlin as engineer, rather than faffing around in pricey, flash studios in Auckland or LA and coming out none the better.
The Straitjacket Fits and Thundercub clips are not only both great rockin' pieces, but also one hell of an object lesson in how much video technology has progressed.
Oops ! Sorry David, shouldn't have assumed it was a leather jacket. Also, I'm clearing getting confused with some other clip that I'd heard was filmed on the Close To Home set.
Great story, you young punks must've been pinching yourself about getting to see the Igster in action.
Just remembered: David said it was filmed on the set of late '70s - early '80s NZ soap (!) Close To Home at TVNZ's Avalon studio. David's the young guy in glasses wearing the leather jacket in the background, btw.
If anyone can identify the venue, I’d love to know where it is.
I've exchanged a few e-mails now and again with a bloke called David MacLennan who was a scenester on the Wellington punk / post punk scene and he was there, so I'll see if he can elaborate on this.
The NZ charts weren’t quite so flash – top 10 songs of the year:
So what ? That doesn't negate the fact that there was a plethora of innovative, cutting edge music being made here in NZ, US, Britain and elsewhere. The charts have always been about commerce, not art.