Hard News by Russell Brown


A wretched editorial

As Toby Manhire pointed out in his Herald column on Friday, the decision to speak up of 22 year-old Tania Billingsley, the alleged victim of an assault with intent to rape that sparked a diplomatic scandal, drew foaming outrage from the usual blog-commenting suspects. But who would have guessed that they would all be trumped by an allegedly respectable newspaper.

Yesterday's Sunday Star Times editorial doesn't appear to be online (although there is a picture here), which is perhaps prudent, because it is a horrible piece of work.

We need only get as far as the second paragraph to establish that in the Star Times' view the real villain of the piece is the victim. She is, after all:

a 22 year-old self-confessed "activist"

I'm not sure what that the quotation marks around "activist" are meant to signify, but the implication of "self-confessed" is pretty clear: it's the 22 year-old woman who has a case to answer here.

The claim is driven home a couple of paragraphs later:

The interview, which was more of a confessional since no hard questions were asked of Billingsley -- such as whether she had any political affiliations, given her strong criticisms of the Natuonal Government in election season -- must have come perilously the close to breaching the law of sub judice around the diplomat's case.

Well, lord forbid any mere slip of a girl should criticise the goverment and its ministers over their handling of a matter of direct importance to her. The nerve!

Actually, Billingsley can talk to who she wants, when she wants. The idea that she should be forbidden to to do what half the country has been doing for the past week -- criticise the performance of the Foreign Minister and Prime Minister -- is absurd. But apparently she should withold any thoughts on whether Murray McCully bungled the matter because an inquiry "will determine that in due course". Of course, because journalists always do that.

The facts of the case itself were not traversed in the 3rd Degree programme that featured her interview. There have been any number of high-profile news stories that have run far closer to the line of sub judice.

The editorial moves on to bitch about 3rd Degree's "sympathetic portrayal" of Billingsley -- apparently, it is only proper to be unsympathetic to sexual assault victims.

There's yet more blathering about how terribly unfair all this for the government, before the editorial declares that while Billingsley is "entitled to her views" ...

... the time for her to speak out publicly on this case was after any trial was concluded, not before.

I presume she's meant to feel properly put in her place.

The irony is, of course, that had the Star Times and not Paula Penfold secured an interview with Billingsley, the paper would have been all over it. It would have been yesterday's lead story.

But it actually gets worse. I was told by Penfold yesterday that that Fairfax, the publisher of the Sunday Star Times, was "chasing" Billingsley for an interview -- and, indeed, Fairfax reporter Kim Knight eventually did get an interview. It's there in the Sunday Star Times, where she explains her decision to go public, which is an obvious follow-up angle. But the story doesn't put her in the dock the way the editorial does.

In the end this wretched editorial looks not only patronising and tendentious, but hypocritical too.


Friday Music: Bits and pieces

Just a quickie post this week, because I'm flat-out with with and conferences and stuff. And besides, there's Campbell Walker's prodigious guest post on Peter Jefferies and his work if you want some more reading and listening pleasure. Peter plays with Shayne Carter and Little Moon at the King's Arms tomorrow night.

The buzz of the week is Anna Calvi's cover (with David Byrne) of Connan Mockasin's creepy little delight 'I'm the Man, That Will Find You'.

There's more about the EP it comes from here.

Revival tune of the month! An brilliant reggae cover of Chic's 'I Want Your Love', nicely edited by Australian DJ Hober Mallow. Thanks to Keegan Fepuleai for the heads-up on this:

A nice downloadable mix for Fabricate by Andrew Spraggon, aka Sola Rosa. It includes Ladi6, Home Brew, Benny Tones and Noah Slee alongside the likes of DJ Vadim, Hermitude and more:

A pick from TheAudience. I've never heard of Wellington's The Nature of Forces before, but this is pretty cool and reminds me of Deastro and Paquin:

More in a classic sort of pop-rock vein, The Pleasures of June (click through for the free download):

And more Courtney Barnett. She's so cool and this is probably the best song about having an asthma attack ever:

Her double EP A Sea of Split Peas doesn't seem to be available in the New Zealand iTunes store, but you can buy it via Bandcamp, which is way better anyway.

A little tidbit from the FlyingNunStory Tumblr -- Murray Cammick's brief January 1980 profile up-and-comers Toy Love.  Notable chiefly its observation that the band's set includes their "covers of 10 years or so ago." So that's 'Anold Layne' and 'People' are strange -- both only "10 years or so" old. It's easy to forget how close the 70s were to the 60s.

Mojo marvels ("we’re tuning into things we’re sure we’ve never heard before") at the sound of the Beatles albums remastered in mono for vinyl release. 

Audioculture goes way back with Aleisha Ward's stroll through the rise of jazz fandom in 1920s New Zealand. There were "jazzing contests"? Awesome.

And finally - hey! I get quoted on the front of Trick Mammoth's new Japanese vinyl!


The Hard News Music Post is sponsored by:



Media Take: Afghanistan, trust and NetHui

The most puzzling part of the response to Jon Stephenson's Collateral Damage report last week for Native Affairs was the extent to which it focused on claims that the programme had not made.

Stephenson's story drew on both a paper trail and first-person  interviews with Afghan villagers to make the case that official accounts of the mission to prosecute those responsible for the killing of a New Zealand soldier in 2010 were not the truth.

His attention to detail meant it was a story not easily dismissed, and the Prime Minister and his Defence minister were caught giving notably different accounts on the same morning. Key stuck to the old story: nine insurgents were dispatched and no civilians were harmed. Jonathan Coleman granted that it was possible that civilians were killed -- but it certainly wasn't our chaps that did it.

Thing is, the Native Affairs report didn't claim that New Zealand SAS troops were directly responsible for the deaths of innocent villagers. You won't find that in the script. It did say that they were part of the mission in which these people were killed, that the mission was conducted in pursuit of those responsible the death of  New Zealander Lieutenant Tim O’Donnell and that our Prime Minister, John Key, was consulted in advance.

And yet it was incorrectly reported that the programme had called the mission a "revenge" attack (Stuff's reporter even attributed those words directly to Stephenson himself) and reports that Stephenson had claimed our own SAS troops were directly responsible were relayed (via AAP) as far afield as the Daily Mail website.

I'll be questioning Jon Stephenson about his report and asking him why he thinks accounts of it went awry on Media Take this week. Also on the show, Toi Iti looks at who we do and don't trust according to Readers Digest and I'm interviewing Antony Royal, the chair of Nga Pu Waea, the Maori Broadband Working Group, ahead of this week's NetHui conference.

We're recording the show tonight at TVNZ (we're hiring Studio 3, the same one we used to use for Media7). You're warmly invited to join us if you have a little time in the Auckland CBD after work.

It's a little complicated, because the building is currently more of a building site.  If you can be at the Victoria Street entrance between 5.30 and 5.50pm we will get you through the construction works and into Studio 3.

We record from 6pm and it should all be wrapped up by 6.45 ,when we might adjourn across the road to the Empire Tavern for a convivial glass. We're working on getting the Empire to do us a favour on prices, but I can report that their Monday night $10 steak deal isn't bad. (I'm sure some of our regulars will be keen to socialise beforehand too, and the Empire will also be the place for that.)


Now win the argument

I'm pleased that Labour made education the keynote of its election-year Congress over the weekend, because it's the policy area in which the present government has, I think, done the most damage.

From their feckless introduction under Parliamentary urgency and implementation without trial, and the subsequent waving through of league tables -- the very thing the government's advisers cautioned against --  National Standards have been, at best, a disruptive waste of resources.

Since then, there have been so many other problems, cuts and pointless confrontations in education and the performance of the responsible ministers has been so woeful that my confidence in National to productively execute any policy is roughly nil.

Which is not the same as thinking the policies announced by Labour are necessarily  enough of an answer. If Labour is to repurpose the money already budgeted for National's managerial strategy of "executive principals, expert teachers, lead teachers and change principals" it does need to explain how it will increase the performance of teachers, as well as the number of them. It does bear noting that National has finally managed a policy proposal there that post-primary teachers, at least, support.

But the good thing here is that this hopefully begins an actual policy debate in an area polls consistently show is regarded as a priority by the public. Moreover, it's already a discussion about evidence. I can't see that being a bad thing.


When I saw the response to David Cunliffe's speech to Women's Refuge on Friday afternoon, I tweeted something to the effect about despairing that his "sorry I'm a man" had been plucked out of context and elevated above the real substance of his speech.

Having seen the video of the speech now, I'm not sure I was correct. I think what Cunliffe said, to that audience, was the substance and I applaud his candour. Expressing sorrow is not synonymous with feeling guilt -- but it can be the same as taking responsibility, and that's what I think Cunliffe was doing there. I'm happy with that.

And I think the range of responses to what he did has been extremely instructive. If you frame that speech as a "gaffe", you're placing the game above what actually matters.


Friday Music: Wellies not required

It wasn't really like being there, but being telepresent at Glastonbury Festival last weekend was certainly cheaper, dryer and less demanding, and I did it every whichway.

Firstly, via BBC iPlayer. Our household's only region-block-defeating solution is currently a Chrome extension called MediaHint that only works on my computer, rather than the telly, but which gave me access to the BBC's astonishing internet coverage: live streams from multiple stages as well as the BBC 2 and Three programming, as well as catch-up highlights.

So I got to watch The Arcade Fire, MIA and a bit of Skrillex (which actually looked like a right old bundle of fun) on Saturday morning. But the really special time was James Blake closing the Park Stage on Monday morning our time. It was gentle, supple, pulsing and it made me smile to see a few thousand knackered fans swaying around with their eyes closed and goofy smiles on their faces. There are worse ways to enter the working week.

Happily, the whole set is now available on Vimeo:

James Blake - Live at Glastonbury 2014 from on James Blake on Vimeo.

I also, er, got my auntie to send me a few things on VHS. But there was a way of catching the vibe that didn't require any jiggery-pokery: the BBC's YouTube channel, which features songs from dozens of performances. The advtange there was that I could watch it on home theatre-equipped television via my Apple TV (the same applies to Vimeo). As I have noted many times before, I would pay a reasonable price to have full access to live concerts and festivals via Apple TV or any similar gadget.

Here are a few YouTube highlights ...

A right old singalong with MGMT's 'Kids' at the John Peel Stage. They seem to have come to terms with their probably unrepeatable hit:

An even bigger singalong for Dolly Parton's 'Joelene'. I'm not really sure how much of what we're hearing is her live vocal, but who cares?

The smart, rugged and funny Australian Courtney Barnett, who I'd go and see like a shot if she happened to play here:

The Daptone Super Soul Revue, whose set was, according to my friend Jen Ferguson (and she knows her stuff!) a total joy on the day: (Update: Part One of Jen's blog review -- it's amazing how so many of her highlights were away from the big stages: brass bands, a New York-style gay disco.)

Connan Mockasin! Kooky Kiwi pride!

Goldfrapp was a revelation:

And 'Reflektor', from the constant circus that was Arcade's Fire's set:

There's lots more, including Yoko Ono, De La Soul, Lily Allen and the Brian Jonestown Massacre, in a 40-song YouTube playlist I made.


Over at Audioculture, there's Alan Perrott's great article on the Screaming Meemees. They burned briefly but so brightly as teen sensations: I was in Christchurch at the time, but I remember being really excited when 'See Me Go' -- such a great teen-boy anthem -- went to number one in the charts, and equally so when the Screaming Blamatics Tour blew through.

It's particularly special because Alan captured the memories of the band's irrepressible guitarist, Michael O'Neill, before the severe stroke that Michael suffered recently. I hope the recovery is going as well as it can do for Michael and his family.

Here is Michael O'Neill, playing at the Auckland Town Hall, back then:


Flying Nun Records is using what it describes "as a little bit like crowd-funding and a bit like good old fashioned pre-orders" to get Robert Scott's forthcoming (July 18) album The Green House pressed to vinyl. You can choose from seven different pre-order options, including hand-drawn and painted artwork and a bonus album. This is great. And here's a taster from the album -- with Tiny Ruins on backing vocals!

Peter McLennan brings good news: not only is Marbecks Records defying what looked for a while like the end of its long run, it's expanding again.

My friend Paul Shannon directed me to Pitchfork's 10 Essential Sun Ra Tracks (which include a feature-length movie), this being the 100th anniversary of the great man's birth. I saw Sun Ra with the Arkestra two nights running in London many years ago, and I still struggle to articulate more about it than just what I felt: that I was in the presence of something pure and musical.

Although Sun Ra and some important colleagues such as John Gilmore no longer dwell at this planetary address, the Sun Ra Arkestra continue to play and tour. Indeed, they played Glastonbury 2014. Here's a clip:


Here's something nice. Radiohead's 'Reckoner', remixed with a little extra drum by Leftside Wobble:

At TheAudience, Martyn Pepperell has profiled Samuel Truth ("government name: Troy Samuela") , who has this deep, sweet production on the site at the moment:

Paddy Fred has remixed 'Shallows' by his Wellington friends Groeni. Quite nice:

And, to conclude, a couple of dates for your calendar next week ...

First, a Public Address Great Blend in Auckland next Thursday, featuring a discussion with Adam Holt (Universal Music), Fergus Barrowman (Victoria Universty Press) and Roseanne Liang (Flat 3) and a performance by the clever and groovy High Hoops. You need to click through on that link and RSVP pronto if you want to come along.

And the rarest of treats: Peter Jefferies playing the King's Arms on Saturday the 12th. He's joined by Shayne Carter, who will, I presume be playing some of his new music. We have something good coming up on Public Address for this next week.


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