Hard News by Russell Brown

9

Friday Music: There's a lot on for Music Month

It's New Zealand Music Month – which, as noted here in the past, these days means a month of loosely-coordinated events, rather than any compulsory patriotic exercise. Do it right and it'll be fun, promise.

Many of the details can be found here on the official New Zealand Music Month website, where the event guide is somewhat usable this year (in theory you can embed it on your own website, but that didn't work at all for me). It's easier to get an overview by going to the events section of the NZMM Facebook page.

Of note in Auckland this evening, Sandy Mill and Tina Turntables team up for an early show (doors 5pm, Sandy's on at 7pm) at Lula Inn down at the Viaduct. Sandy's celebrating the release of her excellent debut EP, A Piece of Me, which includes the three singles so far and two more songs. It's here on Bandcamp along with the digital version, which includes two remixes of 'Let It Go' and one of 'Giftbox'. The 'Giftbox' video went up today too:

Tomorrow night, the PumpHouse Theatre in Takapuna sees the launch gig for Dominic Blaazer's debut solo abum The Lights of Te Atatu, which will feature his seven-piece Maximum Philharmonic Orchestra. Like Sandy, Dominic has been a vital part of a lot of other people's bands and and is now stretching out and playing his own songs. You can book for the PumpHouse show here. But I also have a double-pass to give away today. Just click the email icon below the post and email me with "Dominic" as the subject line. I'll draw a winner around 10.30am tomorrow (Saturday) morning, so don't muck about.

For club folk, the very good K2K plays a gig at Aura Club along with DiCE (more of whom below) tomorrow night too.

It's not just gigs: in Wellington, Ngā Taonga has a season of vintage Radio With Pictures episodes presented by Karyn Hay and Dick Driver, with a guest appearance at one by yer actual Barry Jenkin.

And it's not just the usual venues either. Albi from Albi and the Wolves plays Auckland Central Library at 6pm today and the city's libraries have an extraordinary array of performances, workshops and more for the whole month.

I'd wager, however, that none of them will be quite as wild as what Christchurch Art Gallery is putting on tonight to marks its 15th birthday on the current site. Performances from Into the Void, Astro Children and more. They're some groovy fuckers at that gallery.

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Blues dude Darren Watson's new album Too Many Millionaires has been gett great reviews here and abroad. He launches it officially at The Wine Cellar on Saturday week and he's on the road with a release tour all month.

The are plenty of guys playing blues in the world, not so many who ground it so explicitly in real-world politics as Darren does. If the name seems familiar, it was Darren and Jeremy Jones who fought the Electoral Commission over the right to have the 'Planet Key' song heard. You can find the new album here on Bandcamp and read more about Darren in John Pilley's brand-new Audioculture article on his career.

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Dunedin natives Ha the Unclear are back with a new single, 'The Wallace Line', from the Invisible Lines album to be released in July:

But wait, there's more!

In a slightly mad move, there's Corduroy Cape: A Persnickety Mixtape, a  digital "split single" on Bandcamp, featuring three tunes each from Ha the Unclear, Being and Soaked Oats. There are two tracks available now and the full nine drop on May 15, whereupon the three bands tour together:

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I've been out a couple of times lately. One was for a rich and rewarding evening of Graeme Jefferies playing songs from This Kind of Punishment, The Cake Kitchen and his his solo records at The Wine Cellar last Friday. Here he is finishing the show with 'The Old Grey Coast'.

The song before that was a cover of the Great Unwashed's 'Born in the Wrong Time', which Graeme encouraged to sing along with in memory of departed friends. And we all kinda did.

And last night, I went along to Public Service Broadcasting at the Powerstation. I had an idea of what their work is about – propulsive, enveloping tunes in which the "vocals" are samples from library film from the 60s and 70s – but had barely actually heard it. I was offered a couple of tickets, so I investigated.

I did find myself wearying a bit at the fact that nearly all of those vocals are male voices in a particular register, and I liked their upbeat, bouncy stuff like this more than the drone-rock numbers, but it was basically pretty great:

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We can't know exactly what the man himself would think, but the exposure of his huge vault of previously-unreleased material really is turning up some stuff. And nothing compares to this ...

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Tunes!

You may recall me enthusing over Auckland DJ crew DiCE's remix of Aldous Harding's 'Horizon' a while ago. Well, they're back, with a regroove of Fat Freddy's Drop's 'Cortina Motors' and it's an absolute bloody belter.

That's a free download and there are lots more of those on their Soundcloud. (If you fancy a better-than-MP3-quality file, some of it is available at a price of your choosing on their Bandcamp page.)

A couple of mixes from New Zealand DJ-producers. First, K2K:

And Chaos in the CBD doing an excellent Boiler Room set – in Lebanon! (The video is here and a partial track listing is here.)

And finally, pretty excited about this: Jon Hopkins' album Singularity is out today. The New Yorker review does a pretty good job of explaining who he is and what he's about. The title track is on Soundcloud ...

And you can buy the album at Bleep.com, in everything up to 24-bit WAV format.

24

A handful of deeply precious days: a select committee submission

I travelled to Wellington yesterday to give my oral submission on the Misuse of Drugs (Medicinal Cannabis) Amendment Bill. It was an encouraging experience.

The Health select committee had split in two to accommodate the volume of submissions and our half was chaired by Louisa Wall, with National's Nicky Wagner and Labour list MP Anahila Kanongata'a-Suisuiki. They were a good-natured group and, I thought, quite patient with submitters, some of whom were clearly unused to such a setting. I was very impressed by the submission of Mark Crotty, who suffers from Crohn's disease. He explained how self-medicating with cannabis changed his life, and somehow managed to make everyone smile.

Then it was my turn. We only had five minutes each to say our piece and the idea is not to just repeat what you've written. So I skipped to the conclusions at the end and talked about those.

I explained that yes, I was asking them to regulate cannabis differently to other potential medicines, in part because we already regulate cannabis very differently: the Misuse of Drugs Act regulations make cannabis harder to prescribe not only than conventional pharmaceutical medicines, but than controlled drugs such as morphine and cocaine. But also because  the system of clinical product trials is designed to bring novel medicines to market – whereas cannabis is already being used, ostensibly, for medical purposes and even being privately endorsed by doctors. I talked about why evidential research has been scarce, and the barriers to such research in the US.

"I have no quarrel with the pharmacist," I explained, but the assessment of harms and risks should be different in this case.

I also noted that the committee has a problem with Section 12 of the Misuse of Drugs Act, which describes the offence of allowing a premises or vehicle to be used for the commission of an offence against the Act. The government's amendment bill creates a statutory defence for people who can show they are terminally ill, but does not protect hospitals or hospices (or, for that matter, anyone else around the patient). I appear to have been the first to point this out and the MPs seemed grateful to have it drawn to their attention.

Just as a final note, anyone who reads this blog won't have much trouble working out who my departed friend is. If anyone in the media is interested by the submission below, please contact me rather than the family. They have seen and approved the text, but it's my gig, so talk to me first please.

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I am a journalist and one of my specialist areas is drug policy. In the course of my work, I have interviewed users, suppliers, doctors, police officers, researchers, activists and government ministers. But the story I want to tell you is a personal one.

My old friend died this year. He had survived three years since he was diagnosed with a kind of brain tumour called glioma multiforme – far longer than he was supposed to – but complications associated with his illness were eventually too much for his system and his health deteriorated rapidly in the weeks before his death.

Shortly before he was moved to a hospice, I had a conversation with his wife, another old friend, about medical cannabis. My friend had, with the approval of his oncologist, used a cannabis oil preparation (acquired as a gift) for some time while he battled his disease: a couple of drops rubbed into his gums before bed each night.

I can't tell you that that prolonged his life. But there is a body of pre-clinical evidence that a balanced preparation of THC and CBD can, alongside conventional treatment, help shrink tumours in glioma cases. His tumours shrank to the point where he was at one point declared cancer-free.

Our concern now was not with the cancer itself, but with his comfort and well-being through his final days. I agreed to try and source a product for him and, through the kindness of strangers, was able to source a good-quality medical oil.

The morning after I got it, his wife called me in a panic. My friend had had another seizure and doctors at the hospice warned that it was the nature of a glioma in the part of the brain where he had it that these seizures would only become more frequent. She was now under pressure to have him sedated – unconscious – until he died. This would not only be traumatic for her, it would prevent him seeing his community of friends, many of whom were only just learning that it was time to say goodbye.

I joined her as quickly as I could. When I arrived, it seemed as if the seizure had shattered my friend. His jaw was rigid and his eyes were dull. I gave his wife the oil and she rubbed a little into his belly button and his gums. Over the next hour, his apparent wellbeing improved markedly. When I excused myself to pop out for a few minutes, he turned his head, looked me in the eyes and gave me a big, goofy grin. The grin I'd been wondering if I'd ever see again.

Something else happened – or, rather, didn't happen. He didn't have any more seizures. Again, I can't tell you that was because of the medical oil. But he didn't have any more seizures. The doctors remarked on it over the next few days, expressing surprise.

We couldn't tell them. The hospice – in a way that suggested they'd been through this before – had told my friend's wife he could not have any cannabis product. I suspect what they meant was that they could not know about it.

This is important to understand. The government's bill creates a statutory defence for terminally patients. But it still criminalises everyone around those patients. In knowing that my friend was being given a cannabis preparation on its premises, the hospice would have been committing a serious offence under Section 12 of the Misuse of Drugs Act. I'm aware of some hospitals which knowingly breach that section for some patients. They shouldn't be put in that position.

I too was committing a criminal offence. I was supplying a controlled drug. The "green fairy" who produced it and gave it to me was in greater peril – others like him are before the courts now, on the charges that commercial drug dealers face. If you don't believe that we should be considered criminals, there is only one course open to you – amend the bill before you so that it works.

In truth, I would have done the same thing even if I knew that punishment was a certainty. But not being able to tell the doctors bothered me greatly. Even if the risk of contraindication with other treatments was low, we should have been able to tell them.

Had he survived to see this bill become law, my friend might have been able to have a doctor confirm in writing that he was dying and secured his defence. But that would have been in conflict with everything he was doing in the three years he was ill – which was, simply put, doing his level best not to die.

This modest protection for the terminally ill is undoubtedly welcome. But as it stands in the text of the bill it is but a nicety and a political convenience. Denying mere comfort to a dying person is hard to defend ethically, especially when the drinks trolley rattles through the corridors of every hospice every afternoon. But ostensibly offering that comfort while criminalising everything around it is little better.

In short, this bill does not and cannot fulfil its purpose as it stands.

My much-missed friend and his family are not the only people affected by the law. My work has brought me into contact with both people who are dying, including the late Helen Kelly, and people who are living with difficult and debilitatingly painful conditions. I spoke to one woman who had been cycled through a range of possible treatments for her complex regional pain syndrome – including epilepsy drugs which made her suicidal – and was able to dispense with them all in favour of modest use of cannabis. Her doctor approved.

It's hard not to dwell on the fact that legitimate cannabis products are much harder to prescribe than far more dangerous controlled drugs like morphine, fentanyl, cocaine and ketamine. Or that people who want cannabis for neuropathic pain are readily offered instead the likes of pregabalin, which in some territories (Northern Ireland being one) is associated with the most devastating abuse and addiction. If it were to be judged by the standards by which cannabis is judged, it would never be prescribed.

When people have told me they've gained relief through cannabis products – both in respect of their pain and being spared the unpleasant effects of their prescribed pain medications – I have tended to believe them. Not least because I couldn't see how anyone would put themselves through such ignomy and legal risk for no reason. This bill does very little for them.

I am aware of the limited research behind cannabis as a medicine. I'm also aware of the reasons for that – which are principally down to the hostile legal and regulatory environment in the US, which not only makes research difficult but outright forbids researching using modern strains that express specific characteristics of the plant. Final product trials present an even greater hurdle. But the absence of Phase 3 trials is not the same as the absence of efficacy.

I have also spoken to doctors who are wary of becoming "drug dealers". I understand that position, and the view that if something is to be called a medicine, there must be some warranty of its contents. But this is a broken market. There is only one approved pharmaceutical-grade product available to prescribe, in only one ratio, and it's extremely expensive. A handful of other products require specific case-by-case approval from the ministry and are nearly as expensive, largely because of the complexity of importing them.

I am pleased to see that this bill will remove cannabidiol (CBD) as a controlled drug. In light of the World Heath Organisation's statement on CBD last year, noting that it has little or no abuse potential and is a potential treatment for epilepsy, Alzheimer's, cancer and Parkinson's Disease, this is a decent, rational and compassionate action.

And yet, possession or cultivation of even cannabis strains which are high in CBD and contain negligible quantities of THC remains an offence in New Zealand. The prohibition applies to the whole plant, including the roots, which contain no cannabinoids, but do contain terpenes with potential anti-inflammatory properties. It is a complex plant and I note the New Zealand Medical Association's recent position statement acknowledging a possible "entourage effect" of whole-plant products. Controlling the plant this way under criminal law seems increasingly untenable.

Taking a narrow and prohibitive approach to this important bill will not change people's behaviour – tens of thousands of New Zealanders will continue to use black-market products for medical purposes. It will not keep those people safe – indeed, it will protect the business of illicit suppliers who exploit patients by supplying products that are falsely-labelled, inappropriate, ineffective and even dangerous. This bill currently does nothing to restrain those bad actors.

I am confident that the "green fairy" I personally dealt with was not a bad actor, and I was able to discuss with him the strains that had been processed into the oil and the likely cannabinoid ratio of the final product. But neither of us could know for sure. Indeed, my only way of determining that the product was safe and effective was literally to try some myself (in short: it was not recreational). A system which encouraged, or even compelled, such producers to have their products tested for contents would make far more sense than the current free-for-all. That is not possible under current law or under this bill as it stands.

Many of the challenges in regulating medical cannabis would disappear if there was general reform of the law on adult use of cannabis. My preference would be to have self-growing dealt with in that context. But that prospect is subject to a referendum and reform itself is several years away at best. In that light, I believe the committee must examine regulated self-growing for registered patients.

I ask you to consider taking a realistic and compassionate view and do the following:

• Use the regulations that will be attached to this bill to make the gesture towards the terminally ill work in the real world by allowing them to nominate an approved supplier, so they and their loved ones can safely access a safe product.

• Recognise that the terminally ill are not the only New Zealanders to derive benefit from cannabis products and allow others with chronic conditions to register to use these products.

• Provide specific protection for hospitals and hospices from prosecution under Section 12 of the Misuse of Drugs Act.

• Allow a local industry to develop by allowing export of locally-produced products, and by not excluding those with existing convictions from participating in the industry.

• Allow self-growing under regulation.

• Enable research into growing, and clinical trials. The trend in the developing global industry is overwhelmingly towards breeding plants with desired attributes – an area in which New Zealand has a strong track record of IP development.

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My dear friend died in hospice, after a handful of deeply precious days in which he and his loved ones were able to say their goodbyes. It is my belief that the cannabis product helped him have those precious days, awake and aware. I would unhesitatingly break the law again to give him those days. And I believe it is wrong that I – or anyone else – should have to do that.

156

The remarkable rise of Michael Avenatti

The roiling, leaking, chaotic, corrupt White House of the current US presidency has delivered a succession of remarkable figures into the public eye. Nearly all of them are fools, grotesques or both.

But one new face is clearly neither: Michael Avenatti. Before he first presented as the lawyer for Stephanie Clifford, aka Stormy Daniels, last month (yes, it was only last month), Avenatti was merely a very successful California litigator – having, to take one example, successfully represented the plaintiffs in a massive $US454 million class action against a medical equipment firm.

And until then, Daniels herself had seemed buffeted, compromised and powerless, no matter the substance of her claims. Since then Avenatti has, from what seemed a relatively weak starting point (that Trump never co-signed Daniels' NDA), completely reframed what her case is about.

Avenatti is no stranger to the media business – he defended Paris Hilton in a $10 million defamation suit and he represented the plaintiff in an intellectual property claim again the producers of The Apprentice, Mark Burnett and Donald Trump, achieving what is thought to be a substantial settlement for his client.

He has lately engineered news events that have little to do with what might happen in court: sharing pictures of his client taking a lie-detector test some years ago, going on The View to present a years-after-the-fact artist's impression of the man Daniels says threatened her if she didn't shut up about her relationship with Trump. He brought Daniels to Cohen's court fixture for no other reason than to get her in front of the cameras for another day.

In person, he's what we refer to in the trade as "good talent". He's confident, available and speaks in exciting headlines. As he noted a day ago to Brian Stetler of CNN's media show Reliable Sources, he appears on a lot of TV news shows because they keep inviting him to appear.

One one level, it's patter – if he appears on several news shows in a day, he'll speak mostly the same lines. But he has also been basically right about everything so far. He was remorselessly baiting Trump's erstwhile "personal lawyer" Michael Cohen – and confidently predicting that Cohen would not be loyal to  Trump – before the FBI raided Cohen's premises.

Last week, he told CNN's Erin Burnett that "the worst is yet to come" in the case and that it was "a near certainty" that Cohen would "roll over on the President".

Two days later, Trump (responding to similar speculation in the New York Times) railed on Twitter:

It was not, Avenatti observed in subsequent interviews, the action of a man with nothing to hide.

A day ago, he appeared on CNN's media show Reliable Sources and predicted that Fox News host Sean Hannity's ties to Cohen would prove fair more extensive than Hannity is currently admitting:

Hours before, The Guardian revealed that Hannity has a hitherto undisclosed (and partially taxpayer-subsidised) $90 million property portfolio, casting an interesting light on the Fox host's claim that he might merely have asked Cohen about property at some point.

But Avenatti has gone further than that. Last week he predicted that the Cohen investigation "could result in either [Trump's] impeachment or resignation from the White House" (at 08:50 in this interview).

This week, he upgraded that prediction.

"There’s no question that Michael Cohen knows where many, many bodies are buried,” Avenatti said. "They’re going to turn him, and when they turn him, the president is going to be in a very, very bad place. And I’m going to make a prediction now. I do not think the president will serve out his term."

He was drawn further on that prediction in his appearance on Real Time with Bill Maher, venturing that:

The dominos have alreadystarted to fall, and I truly believe that this is the achilles heel of the President. He has trusted a moron with his innermost secrets. And the problem is that he has surrounded himself in his adult life with people that are incompetent and the chickens are going to come home to roost.

It's straight-up bullying – or rather, in a era of unprecedented political-media bullying, a much tougher kid has entered the playground.

So what's Avenatti's long game? In the last 30 seconds of the Maher interview, he's asked whether he has any plans for a political career of his own. And he very much does not say no.

It must be noted that America in 2018 is a country with no agreed set of facts to unite over. Tens of millions of people are seeing a very different picture on Fox News and hearing another narrative on talk radio. The idea that something so bad could occur as to force Trump to vacate the office is still notional, given what he's already survived. But if Michael Avenatti does, as he says he will be able to, depose both Michael Cohen and Donald Trump in the next 60 to 90 days, it will be impossible not to watch.

20

The shared-use path that no one will use

One of the things that gives me pause before setting off on my bike from Point Chevalier to anywhere in the direction of the city is the prospect of navigating the many traffic hazards in the area either side of the St Lukes interchange on Great North Road.

So I was interested and potentially pleased when I saw that Auckland Transport has put out for consultation a shared-path upgrade that is intended to ease the passage of walkers and cyclists through this difficult area. And then I was puzzled when I saw this drawing:

The green and blue bits are the proposed works. And the orange area to the right signifies shared paths that have allegedly been completed as part of the remodelling of the Bullock Track intersection. Someone put in a cycleway and didn't tell me? I thought I'd better go down for a look.

Waddya know!? There is, officially, now a shared path. Here's the east end, where cyclists allegedly join the path. Note the highly visible sign announcing this boon, and the thrilling metre-wide gap between the edge of the bus shelter and the road. Imagine the fun to be had avoiding people silly enough to stand in front of the shelter!

Turns out, this is apparently intended as a bi-directional path, so here we are facing the other way, uphill towards town. Cyclists need only cross three and a half lanes of uncontrolled traffic to get to the other side and carry on with their citybound journey.

For those heading westwards and home, there's a compulsory dismount after 30 metres. Although AT has put in a strip of that yellow tread material, there's no bike signal at the crossing. For that matter, there's no pedestrian signal either.

And then we're onto this. If you study this picture carefully, you may be able to see the small sign in the distance that identifies this stretch as a shared path.

And no, you wouldn't want to be navigating this bit if there were any pedestrians around. Or even if there weren't.

Then we're on to the first part of the proposed new upgrade, which is a widening of this handy little shortcut through to Ivanhoe Road (and thence the delights of Morningside, Kingsland the northwestern cycle) – and possibly the only unalloyed Really Good Thing about the whole development. Small wins, etc.

Well, okay, this bit too I guess. This is the site of the proposed new path past the Caltex station, which, promisingly, some riders already use.

I presume they are riders coming off the interchange bridge over the motorway, because this comes next. Turns out this is already a shared-use path too! Again, if you look carefully you can see a small sign saying so.

I guess this kinda works if you're planning on following the path round to the left and over the bridge. If you're commuting home to the Chev and points west, you need to prepare to get off your bike and wheel it across three separate crossings, then get back on the road where you can.

On the road, this stretch is quite a challenge – if you're proceeding on through the intersection, you need to battle your way across traffic to the through lane. If there are no buses, I'll generally get to the lights and wait in the bus lane (there were four buses coming through when I was there today). But, tricky as it is, I'd still take the road here.

But wait, there's more. The drawing above also suggests that the other side of the road, alongside the Western Springs Park playing fields, is also a shared path. I got there and figured I must have misread the legend, because there's no way this is a shared path. No signs, no marking, it's just a bumpy old unimproved footpath. But I missed something: can you see what it is?

Yes, that little white concrete bit is a ramp for cyclists. In a way, it's in the right place, in that it's where the dedicated left-turn lane starts – and where anyone on a bike starts getting sandwiched by cars. But ... really?

Regular riders tell me the path officially ends just the other side of the Bullock Track intersection, at the front of a bus stop. So if you and a bus happen to be there at the same, you won't be just nipping out on to the road.

Now, the raised tables on the south side should slow down turning cars and make things a bit safer for anyone trying to cross the road at those points. (I'm still considering whether "Variable Massage" is a good thing, tbh.)

Ditto the one here by the Caltex (and yes, I too am still trying to figure out how that was ever part of Western Springs Road).

Now, I realise that this is a busy area – the only local route to the Waterview tunnel is the St Lukes interchange – and road space is highly contested. The new works will certainly help pedestrians en route to Western Springs stadium and park, and will possibly improve things a bit for slow local riders.

But paths as half-arsed and poorly considered as those apparently completed in "Stage 1" will not be used by most people actually going places by bike. They frankly might as well not be there. Which is a bit of a worry, given that the other route into town, the northwestern cycleway on the other side of the motorway is nearing capacity as a rush-hour shared path.

It bugs me that an alternative route from my suburb to the city – the proposed Waitemata safe cycle route – is currently delayed indefinitely by some idiots in Westmere who have blathered so loudly about "unsafe" bike lanes that Auckland Transport has taken fright and called a halt. Which means that I and everyone else who rides past Western Springs to the city and back is expected to use this shambles.

And, finally, this pointer to the feedback form on the project page for the proposed works just really fucking does my head in:

To be clear: there is exactly one property owner potentially affected by this project: the owner of the Caltex service station it passes. Has AT become so spooked by the Garnet Road lunacy that it has to explicitly orient its feedback process to unhappy residents when there actually aren't any?

UPDATE: It has been proposed to me that the new plan for raised tables (with riders not required to dismount) across the top of motorway slip-lanes is a welcome first. And yes, on reflection, that is right and true, so bravo. I guess I'm complaining most about the parts that are allegedly completed.

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PS: Some good news to finish. The boffins at Bike Auckland have proposed this well thought-through solution to congestion at the key pinch-point of the northwestern cycleway. It would help improve the safety of both walkers and riders. If funding can't be found for it I frankly don't know what the hell's going on.

20

Friday Music: The Shopping News

Tomorrow, Saturday, is international Record Store Day – you can tell by the appearance of solemn thinkpieces about how Record Store Day is ruining everything. This year, it's the Chicago-based reissue label Numero Group, which which published a blast about how an event created to draw attention to independent retailers has become an excuse for major record companies to issue overpriced picture discs that no one really needs and clog up pressing plants so that honest indies can't get their records made.

And it's true, to an extent. My eyes inevitably glaze over when I look at the official list of RSD releases (here are the 400-odd releases for 2018) and I can't work out what what might even get to New Zealand (even the shops don't know until remarkably late in the piece), what I could justify spending money on, and what I'd even actually want.

But I don't think that really matters all that much in New Zealand, where RSD plays out more than anything as a nice day to walk into one of our few remaining record shops. Peter McLennan has, as usual, done a great job of rounding up what's happening at participating stores in Auckland, Wellington, Tauranga, Palmerston North, Christchurch, Dunedin and – for the first time! – Grant Smithies' little shack o' sound at Family Jewels Records in Nelson.

Not everyone will have RSD exclusives, but there are, variously, live performances, guest DJs, discounts and prizes. And some of the more relevant exclusives aren't even official RSD releases. Southbound Records in Auckland has the reissue of Unitone Hi-Fi's Wickedness Increased album and Marbeck's will have the 12" (with remix) of Sandy Mill's new single 'Giftbox' (Sandy is playing too, at 1pm).

Southbound has 50% off all secondhand vinyl and 95bFM DJs, Slow Boat in Wellington has the Minister of Finance and Tiny Ruins (not together, as intriguing as the idea would be) and Real Groovy has beer and SWIDT. Everyone's doing it differently.

I'll be DJing down at Marbeck's from 11am-noon, then heading up the hill to have a look at the others. Honestly, if you're free tomorrow, just go to one of the shops Peter has listed and have a look around. We would be a poorer place without these stores and the people who run them.

PS: Turns out there's more going on in Christchurch than Peter or I knew – including a brand new record store in Woolston. Christchurch City Libraries' Donna Robertson has all the details in a blog post here.

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These days, of course, when you say "record shop", you're generally talking about a shop that sells vinyl, new or used. And for all the talk about the "vinyl revival", only a minority of people have turntables. But people care about records in a way they don't about CDs. And that's captured in this 2016 short film about Southbound and the people who go there. I can confirm that one of the nicer things I can do with my spare time is swinging by the shop to leaf through the racks and yarn with Roger and Kerry while I'm at it. 

And I don't know whether the timing was conscious or not, but NZ On Screen has just published this completely wonderful 1949 newsreel report on the pressing of Ruru Karaitiana's song for Pixie Williams, 'Blue Smoke', the very first record to be locally written, recorded and manufactured in New Zealand. I had no idea this film even existed and I'm absolutely smitten with it.

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I mentioned Sandy Mill's new single 'Giftbox', which you can stream in the usual places, and buy here on Bandcamp. It includes two dancefloor remixes by Dean Webb, which raise the tempo on the soul styles of the original track. Here's the radio edit ...

Today, Sandy also officially announced her five-track EP, A Piece of Me, which can be pre-ordered here on Bandcamp (or instore at Marbecks) ahead of a May 4 release.

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Nick Dow's debut album, Layers, was recorded in Lyttelton with Ben Edwards (Marlon Williams, Nadia Reid, Aldous Harding) at the controls – but while it has some of the feeling of the Lyttelton sound, it's musically something different altogether.

Dow's jazz background comes through in the accompaniments to songs like 'Run' and 'Playing for the Music', but most of the songs themselves sound more in the vein of the kind of R&B-aware singer-songwriter thing that's been blowing up in Britain in the past few years, with more than a little James Blake in there too. Between them Dow and Edwards have made it sound quite magnificent and it's hard to believe it's his debut recording.

He's interviewed here by the Australian music blog Happy, and has tour dates in June. The video for the title track was released last week:

The album itself is on the streaming services and you can also hear it in full here on Soundcloud:

I think we'll be hearing a lot more of him.

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With Lorde's Melodrama tour in the US reaching its conclusion, Gareth Shute has written up one of the more notable elements of the tour: the many cover versions she performed along the way, often as a way of acknowledging where she was on the night (Patsy Cline's 'Leavin' On Your Mind' in Nashville, for instance). His Lorde’s top five covers from her Melodrama tour for The Spinoff comes with an embedded Spotify playlist of (probably) all the cover versions she's done on stage.

Gareth added her version of Patsy Cline's 'Leavin' On Your Mind' (performed in Nashville, Patsy's birthplace) to the playlist after I alerted him to it yesterday, but I reckon it deserves an embed too ...

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Tunes!

Thanks to Keegan for the tip on this one: Nu Guinea are not from New Guinea, but Italy. And their new album Nuova Napoli (here on Bandcamp) is full of fluid, funky afrodisco-influenced goodness like this:

And the across-the-ages UK dance music show Glitterbox has Debbie Sledge of Sister Sledge as an in-studio guest this week. You may worship at the disco altar.